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Monday, August 3, 2020 | History

3 edition of A catalogue of the mezzotints after, or said to be after, Rembrandt found in the catalog.

A catalogue of the mezzotints after, or said to be after, Rembrandt

by John Charrington

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  • 16 Currently reading

Published by Printed at the University press in Cambridge [Eng.] .
Written in English

    Subjects:
  • Rembrandt Harmenszoon van Rijn, 1606-1669 -- Catalogs.,
  • Mezzotint engraving -- Catalogs.

  • Edition Notes

    Statementcompiled by John Charrington ...
    GenreCatalogs.
    Classifications
    LC ClassificationsND653.R4 A4 1923
    The Physical Object
    Paginationxv, 157, [1] p.
    Number of Pages157
    ID Numbers
    Open LibraryOL6664790M
    LC Control Number24011455

    The set comprises sixty-one mezzotints mainly after portraits by Sir Peter Lely and some after Sir Anthony Van Dyck. The Gallery acquired the album at auction in with the help of the Friends of the National Libraries (Christie's, London, 27 June , lot ). Printed book. When creating a print, the printed image left behind by the matrix is called a(n). artists producing mezzotints can accomplish what task? What makes Christ Preaching so important to Rembrandt's catalog of prints?

    AFTER J.M.W. TURNER’ below image b.l., ‘London, Published 1st Oct., , by Rob t. Dunthorne at The Rembrandt Head in Vigo Street’ below image at centre. Lit: As for T The second, published state of the mezzotint version. Published in: Tate Gallery: Illustrated Catalogue of . catalogue of Houston's mezzotints. On comparing a photograph of the Dresden proof with a copy of the Houston print for me, my friend Mr. Dodgson discovered that among Houston's changes there is the addition of a lamp under the arch in the centre. (Pr. R.) I I-ANNOTATIONS TO MR. WHITMAN'S CATALOGUE OF GREEN The Pr. R. possesses 56 of Green's.

    A Corpus of Rembrandt Paintings II - – (Art eBook) - Free ebook download as PDF File .pdf), Text File .txt) or read book online for free. Rembrandt paintings- . In Rembrandt reworked the shapes of the letters "b" (in a gothic script, see entry 21) and "f" (made with a single, "elbowed" stroke, and tended more and more to omit the "t" of the fecit abbreviation—if it indeed ever stood for a "t" (see entry 28). To my knowledge, no work bearing the date is.


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A catalogue of the mezzotints after, or said to be after, Rembrandt by John Charrington Download PDF EPUB FB2

Catalogue of the mezzotints after, or said to be after, Rembrandt. Cambridge [England] Printed at the University Press, (OCoLC) Named Person: Rembrandt Harmenszoon van Rijn; Rembrandt Harmenszoon van Rijn: Document Type: Book: All Authors / Contributors. A catalogue of the mezzotints after, or said to be after, Rembrandt Item Preview remove-circle A catalogue of the mezzotints after, or said to be after, Rembrandt by Charrington, John, Publication date Topics Rembrandt Harmenszoon van Rijn, PublisherPages: This banner text can have markup.

web; books; video; audio; software; images; Toggle navigation. [1] A mezzotint of the composition was executed in by Thomas Watson (John Charrington, A Catalogue of the Mezzotints After, or Said to Be After, Rembrandt, Cambridge,no.

[2] The title page of the sale catalogue describes the collection as that of the Earl of Essex; however, A catalogue of the mezzotints after a copy of the catalogue at Christie's.

However, the first firm evidence for his ownership is a mezzotint after the self-portrait, dated and published by R. Earlom (), which is inscribed as "From the Original Picture In the Collection of his Grace the Duke of Montagu" (see John Charrington, A Catalogue of the Mezzotints After, or Said to Be After, Rembrandt, Cambridge.

Rembrandt Tentoonstelling ter herdenking van de Geboorte van - Rembrandt op 15 July (May 18 to Octo ) Rijksmuseum (Amsterdam), May 18 to August 5, Museum Boijmans Van Beuningen (Rotterdam), August 8 to Octo Charrington, John A Catalogue of The Mezzotints after, or said to be after, Rembrandt Cambridge University Press Cloth, 23 cm, pp.

These mezzotints are catalogued in John Gharrington, A Catalogue of the Mezzotints after or said to be after Rembrandt (Cambridge: ), No. and No. ; No. may be another portrait of Luciah by Picart.

The painting from which Picart’s mezzotint of Zeno was made may have been the head of Christ reproduced in Bred. A Catalogue of the Mezzotints after, or said to be after, Rembrandt. compiled by John Charrington Hon. Keeper of the Prints at the Fitzwilliam Museum. Cambridge, Printed at the University Press Book: 4to ( x mm).

Cloth binding with title stamped onto spine in gilt. Binding scuffed and rubbed. The risen Christ appearing in a room where the disciples and the holy women are gathered, illuminating it, lifting his robe and pointing to the wound in His side, addressing St.

Thomas who stands to the right, arms outstretched in amazement; with one disciple sleeping on the right and two gathered around a book on the left; after Rembrandt. Mezzotint. A Corpus of Rembrandt Paintings, Volume I, which deals with works from Rembrandt’s early years in Leiden(), published in A Corpus of Rembrandt Paintings, Volume II, covering his first years in Amsterdam (), published inTwo volumes of the first part of the catalogue (Vol.

2 'Greek to East' not included). cloth, 1 €Berger & De Vries: Charrington, John: A Catalogue of the Mezzotints after, or said to be after, Rembrandt. University Press:Hardcover, cloth.

Gilt title on the spine. An oversight of works by Rembrandt. A catalogue of the mezzotints after, or said to be after, Rembrandt, (Cambridge [Eng.] Printed at the University press, ), by John Charrington (page images at HathiTrust) Rembrandt and his school; a critical study of the master and his pupils with a new assignment of their pictures, (New York, C.

Scribner's sons, ), by John Charles Van. Rembrandt: reputation and collection / by Christopher White ; Catalogue (Nos. ) --Rembrandt's influence on English painting / by Christopher White ; Catalogue (Nos. a) --Rembrandt and the reproductive print in eighteenth century England / by David Alexander ; Catalogue (Nos.

) --'A madness to have his prints': Rembrandt and the. The Other Rembrandt by Alex Connor and a great selection of related books, A catalogue of the mezzotints after, or said to be after, Rembrandt, Find any book at the best price; By using the Web site, you confirm that you have read.

A mezzotint after the self-portrait, datedwas published by R. Earlom (); see John Charrington, A Catalogue of the Mezzotints After, or Said to Be After, Rembrandt.

James McArdell, who may be called the founder of the great school of mezzotint engravers of the eighteenth century in England, was born in Cow Lane (now Greek Street), in the parish of St. Michan, Dublin, at the latter end of the year or early in Heads After Rembrandt [front cover.] [Jonathan Spilsbury.] [Some plates dated Compiled c] Book, 8vo ( x mm, 9 x 6¼"), 24 etched plates of busts by Spilsbury after the manner of Rembrandt; on thick laid paper, in original full green gilt-stamped morocco.

Mezzotint is a printmaking process of the intaglio family, technically a drypoint method. It was the first tonal method to be used, enabling half-tones to be produced without using line- or dot-based techniques like hatching, cross-hatching or int achieves tonality by roughening a metal plate with thousands of little dots made by a metal tool with small teeth, called a "rocker".

In Nineteen Eighty-Four, Mr Charrington first presents himself as a kind, old shopkeeper, with an interest in items of the past.

However, he is later revealed to be a member of The Thought Police. Philosopher in Meditation (Bredius ) is the traditional title of an oil painting in the Musée du Louvre, Paris, that has long been attributed to the 17th-century Dutch artist Rembrandt.

It is signed "RHL-van Rijn" and datedat the time of Rembrandt's move from Leiden to Amsterdam. Recent scholarship suggests that the painting depicts "Tobit and Anna waiting for their son Tobias. "After some years of experimenting and investigating, I believe that I have succeeded in reviving the almost obsolete art of printing in color from a mezzotint plate—done in one printing and without any retouching, as was practiced a hundred years ago by the English engravers—examples of whose works are now in such great demand.It was he that supplied Winston with the book he writes in at the beginning and first part of 'A catalogue of the mezzotints after, or said to be after, Rembrandt' -- subject(s.